Digital Content Producer March 2008
By Kristinha M. Anding
There's Something Very Mission: Impossible about the Oceanic Preservation Society (OPS), a Boulder, Colo.-based nonprofit that creates films about the decline of the Earth's oceans — and stops at virtually nothing to get a good shot...
By any measure, the past year has been an extremely fruitful period for professional video technology. a buzzword that fell out of fashion years ago,...
By Cynthia Wisehart
This month, we've rolled out a much-requested feature for Reel-Exchange (reel-exchange.com), our demo-reel community site. You can now search geographically...
Reviewer: Gary Eskow
Have you been hanging onto that old handheld stereo cassette player/recorder you used in the late 1980s to conduct interviews, just in case? If so, toss...
By Dan Ochiva
While it's ideal to have an audio recorder with you on location, what do you do if you don't want that added expense for occasional field recording...
By Dan Ochiva
Thread-mounted adapters are pretty simple things, but you'll run into difficulties if you're on location without one...
By Dan Ochiva
Titanium seems to turn up everywhere these days; the high-strength metal offers rigidity to laptops and camera gear, even though it's thinner than comparable aluminum or other material...
By Dan Ochiva
Carrying weight has always been a concern for location production...
By Dan Ochiva
The Petrol Camlap Trolley Bag is specifically designed to hold a Sony HVR-AU1, Canon XH G1, Panasonic AG-HSC1, or other similarly sized camcorder...
By Dan Ochiva
Investing in support gear to hold matte boxes and other camera accessories presents a problem...
Reviewer: D. W. Leitner
Mention video I/O for the Mac, and chances are Kona card will enter the conversation even among production people who know little about Mac-based editing...
By Dan Ochiva
Panasonic says it had a real hit with its BT-LH1700W 17in. multiformat color production monitor, released at NAB 2007...
By Dan Ochiva
The latest Mac and PC hardware and software deliver a lot of capability, including the option of building a software RAID...
By Dan Ochiva
Until recently, taking a technology such as a RAID array on the road meant only one thing: big flight cases full of rack storage...
By Dan Ochiva
For many producers, Adobe After Effects (AE) remains the most cost-effective compositing package around...
By Dan Ochiva
Even as digital technology shrinks gear that would normally take up a chunk of a mobile van, more capability comes from incorporating multiple manufacturers' gear...
By Dan Ochiva
Thomson Grass Valley Infinity disk-based cameras caused a stir upon their release: The next-generation camcorders employ relatively inexpensive, removable Rev Pro drives...
By Jan Ozer
Suppose you've just encoded multiple Windows Media, Flash, or H.264 streaming files for a quality-conscious client. Call it 40 files, averaging 5 minutes...
By Dan Ochiva
A typical problem with most LCD displays is that off-axis viewing — that is, anything around 45 degrees or more from dead center — severely degrades color images...
By Dan Ochiva
For the best quality playback, it's important to correctly set up HD monitors and projectors...
By Dan Ochiva
Setting up complex projector arrays can take time and the effort of a number of workers...
By Dan Ochiva
A lot of pro gear is rackmountable. For those working at a desktop...
By Dan Ochiva
Flexibility helps when you have to take HD monitoring on the road...
By Dan Ochiva
Small studios that need to transcode a lot of files sometimes find that this mundane workload can become overwhelming...
By Kristinha M. Anding
Jenny Richards found herself at a crossroads in the mid-1990s. The now-deputy director of the London-based Television Trust for the Environment (TVE)...
Adding new capabilities to camcorders via innovative software and leveraging the Internet looks to be a growing trend that will affect producers over...
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