By Craig Erpelding
While shooting HD for television purposes is nothing new, I recently had the opportunity to sit down with some of the postproduction team using an Avid-based post workflow for Survivor: Gabon—the first Survivor series to be shot and delivered in HD. The conversation provided some interesting insight on just exactly how the HD format has benefitted the production of what some call the granddaddy of all reality shows and how the format may affect the reality shows of the future....

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Distribute Tools: Tandberg TelevisionBy the extensive HD coverage used throughout, the Beijing Olympic games became a part of sports-television history as the first beginning-to-end high-definition...
Edit Tools: Boxx TechnologiesIt seems you can't get around the fact that the Red Digital Cinema Red One camera controls a hunk of the what's hot market, with production- and post-oriented...
Distribute Tools: HaiVision SystemsFlexible transmission gear that can handle multiple formats at once might be key to the growing telepresence and streaming markets. With the release of... |
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Shoot Tools: CanonYou might not rely on camcorders employing the recently introduced AVCHD compression standard for your day-to-day work it turns up mostly in smaller-sized,...
Shoot Tools: Schneider OpticsSony's HVR-Z7U and HVR-S270OU camcorders received kudos when they started delivering earlier this year, with features such as a trio of newly designed...
Shoot Tools: PanasonicIt caused a stir when it was shown at NAB 2008, and now Panasonic's P2-based AG-HPX170 handheld camcorder has a ship date (late September) and a final... |
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